My dance and athletic coordination were seen in early childhood dance performances. I never asked to study ballet. People saw me moving on stage and placed me in a class at the York, PA School of Ballet, where my instructor, Sherri Grim, regarded me as having pre-professional-level talent. She had me take class four days a week and put me on pointe, early, when I was nine. Then she suddenly stop teaching a couple of years later. She was so intent on me continuing with dance that she had my parents install a barre in our home, but a young ballerina does not seriously train on pointe on her own.
Regarding the JCC in York, PA: It is surprising that there even was one. Most of the children were not Jewish. Also, I attended York's poor inner city school system from Kindergarten through 9th grade — where my sisters and I were the only Jewish children.
The Central Pennsylvania Youth Ballet Academy was in Carlisle, PA, about forty minutes away, but both of my parents worked worked full-time, could not take me to Carlisle, and they also preferred that I focus on playing the piano. My nurturing Dad was a talented musician. That was the only time he ever imposed. He wanted me to focus on music. I had started giving classical piano recitals in childhood — and could also paint and draw at an advanced level before I had formal art training. While my piano instructor also considered me to have professional-level talent as a musician, I could not stand sitting down on a piano bench for more than five minutes — I am naturally athletic in a feminine way — and could not stand playing classical music or any type of music composed by someone else.
Dance is my first and most natural art form.
Disgraceful and less graceful men and women in mainstream sports, entertainment, business, and politics who have enviously smeared me as a dancer, artist, and musician will be facing the music in a court of law. My coordination and movement are natural. (I never "think" about it). These facts can be confirmed under oath by every serious dance, music and art professional in my life since childhood.
I am a feminine, biological girl whose anatomy was shaped as much by ballet as by genetics.
No ballerina has a large chest — yet no one calls them “Manny.”
My chest is a 34C — larger than many ballerinas’.
Jesus, save us from the junior-high creeps — desperately cheating — by desperately smearing — every aspect of my exisitence.